However, Miriam Makeba, in 1960, recorded the same song as "Mbube", with the writing credit given to "J. The song was also covered extensively by other folk revival groups such as The Kingston Trio, and exotica singer Yma Sumac. It reached Billboard Template:'s top ten and became a staple of The Weavers' live repertoire, achieving further exposure on their best-selling The Weavers at Carnegie Hall LP album, recorded in 1955 and issued in 1957. The Weavers credited the song as "Traditional", with arrangement by "Paul Campbell", later found to be a pseudonym used by the Weavers in order to claim royalties. Their version contained the chanting chorus "Wimoweh" and Linda's improvised melodic line. In November 1951, after having performed the song for at least a year in their concerts, The Weavers recorded an adapted version with brass and string orchestra and chorus and released it as a 78 single titled "Wimoweh", a mishearing of the original song's chorus of " Uyimbube Template:-", Template:Lang-zu. In 1949, Alan Lomax, then working as folk music director for Decca Records, brought Solomon Linda's 78 recording to the attention of his friend Pete Seeger of the folk group The Weavers. Linda's song also gave the name to a style of African a cappella music that evolved into isicathamiya (also called mbube), popularized by Ladysmith Black Mambazo. By 1948, the song had sold over 100,000 copies in Africa and among black South African immigrants in Great Britain. Issued by Gallo as a 78-rpm phonograph record in 1939, and marketed to black audiences, "Mbube" became a hit and Linda a star throughout South Africa. In the jungle, the mighty jungle, the lion sleeps tonight. The third take was the best, achieving immortality when Solly took a deep breath, opened his mouth, and improvised the melody that the world now associates with these words: "Mbube" wasn't the most remarkable tune, but there was something compelling about the underlying chant, a dense meshing of low male voices above which Solomon yodelled and howled for two exhilarating minutes, improvising occasionally. He spent his weekends performing with the Evening Birds, a musical ensemble, and it was at Gallo Records, under the direction of producer Griffiths Motsieloa, that Linda and his fellow musicians recorded several songs, including "Mbube", which incorporated a call-response pattern common among many Sub-Saharan African ethnic groups, including the Zulu. "Mbube" ( Zulu for "lion") was written by Solomon Linda, a South African Zulu singer, who worked for the Gallo Record Company in Johannesburg as a cleaner and record packer.
3.4 "The Lion Sleeps Tonight (Wimoweh)".
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